Writing Popular Fiction

"Speaking from experience, I can tell you there isn't a muse and if there is, she's already dating someone else." If there isn't a muse, as you'll read in this invaluable book for writers, MANY GENRES ONE CRAFT is surely the next best thing. No matter what you want to learn--from choosing the point of view for a scene, from getting the most out of a critique group to fine-tuning your final draft, from approaching a literary agent to promoting your published book in print or electronically or both--it's all there. The contributors know their stuff, and what they're teaching applies to writing at any age. MANY GENRES ONE CRAFT covers all the bases superbly, including issues I haven't seen addressed anywhere else in today's rapidly shifting publishing landscape.

--Renni Browne, co-author of SELF-EDITING FOR FICTION WRITERS

Friday, August 24, 2012

MGOC Contributor: Catherine Mulvany


CATHERINE MULVANY

EXCERPT from "Lessons from the Vampire Slayer" by Catherine Mulvany in Many Genres, One Craft: Lessons in Writing Popular Fiction

When my editor suggested I try writing a vampire book (Something Wicked), I had a hard time working up any enthusiasm. I was familiar with Bram Stoker’s classic, Dracula, of course, Salem’s Lot by Stephen King, and Chelsea Quinn Yarbro’s Saint-Germain books, but no recently published work. So my first task was to read a broad cross section of current vampire fiction. Though I found many of the novels entertaining, I still wasn’t sure I could make a blood-sucking demon into a convincing hero.

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Catherine Mulvany is the author of six novels and one novella. She holds a Master's degree in Writing Popular Fiction from Seton Hill University and has taught school for fifteen years. Married with three children, she lives in the Pacific Northwest. Visit her website at www.catherinemulvany.com.

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